Review: On the Music of Stefan Wolpe: Essays and Recollections.

On the Music of Stefan Wolpe (Paperback). Stefan Wolpe was a member of a generation of composers, born around the turn of the twentieth century, who.

They include recollections, studies of social and cultural contexts, and detailed analyses of particular compositions and performances. The book is edited by Austin Clarkson, general editor of the composer's music and writings. A chronological catalogue of Wolpe's works concludes this first book on an eminent American composer.

On the Music of Stefan Wolpe book. Read reviews from world’s largest community for readers. Stefan Wolpe was a member of a generation of composers, born.

Biographical and contact information for Dr Ben Earle, Senior Lecturer in Music at the University of Birmingham.

Stefan Wolpe, Volume 8: Music for Two Pianos Quattro Mani The performances by Steven Beck and Susan Grace are exemplary for their precision and clarity, finely captured in splendid sound by Bridge.

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Stefan Wolpe was a composer notable for providing a fresh perspective on atonality. Despite excursions into popular, folk and jazz idioms, Wolpe continued to compose in atonal styles throughout his career. His works are often characterized by cross-cutting and discontinuity between different musical gestures and textures, quite possibly an influence he gathered from Dadaism.

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The outpouring of Stefan Wolpe recordings fostered by the Stefan Wolpe Society continues apace with Bridge Records' Stefan Wolpe, Vol. 4. This disc is devoted to solo wind instrument works, with the oboe playing a very prominent role -- Wolpe's close friend and publisher was oboist Josef Marx, whose small, specialist publishing concern McGinnis and Marx was at one time both a boon to wind.

The night in February of 1933 when the Nazis burned down the Reichstag, Stefan Wolpe was a few blocks away playing the piano and directing the music of a show by the Communist theater company Truppe 1931. The police soon banned the Truppe, and Nazi gangs began rounding up Communists. The Romanian pianist Irma Schoenberg helped Wolpe to escape.

Distinctive and Original Features of the Pitch Structures of Wolpe's Later Chamber Music. In On the Music of Stefan Wolpe: Essays and Recollections (New York: Pendragon Press, 2003), 270-288. Alternatives of Voice: Anhalt's Odyssey from Personalized Style to Symbolic Expression.